Set in 1994 New York, this one brings something fans have been dreaming about — the Maximals finally hitting the big screen. If Beast Wars holds a special place in your heart, seeing those iconic animal-form warriors alongside the Autobots facing a planet-devouring threat is genuinely exciting. Director Steven Caple Jr. picks up seven years after Bumblebee, pushing the franchise into fresh territory that balances nostalgia with new energy, making this one worth your time.
90年代ニューヨークを舞台に、おなじみオートボットと動物型トランスフォーマー「マキシマル」が激突する新章！「ビーストウォーズ」世代には刺さりまくるキャラたちが、ハリウッドのスクリーンでついに躍動します。そして今回の敵、惑星ごと喰らうユニクロンの脅威がシリーズの空気を一変させます。
Look, if you’re a Transformers fan, Dark of the Moon is serving up everything you came for — massive set pieces, jaw-dropping destruction, and 3D visuals that genuinely earn the format. Closing out Sam’s journey, there’s real weight to what’s at stake here. The story gets ambitious, maybe even tangled, but the sheer spectacle of watching this universe collide with itself on the biggest scale yet makes this one worth your time.
Michael Bay cranks everything up to eleven in this sequel — more explosions, more chaos, more of that signature over-the-top energy. The action sequences are genuinely jaw-dropping in scale, but it’s the film’s unexpectedly bold comedic choices that might raise a few eyebrows. From suggestive gags to some surprisingly risqué humour, Bay clearly isn’t playing it safe for the family crowd. Whether that audacity works in its favour or against it is something you’ll want to see for yourself.
Okay, so imagine your childhood toys suddenly coming to life on the biggest screen possible — that’s exactly the energy this one brings. Spielberg and Bay teamed up to do what nobody thought was possible, turning metal and machinery into pure cinematic spectacle. The CGI still hits, the sound design is *chef’s kiss*, and watching an everyday teenager get thrown into something so massive? Yeah, that combo is what makes this one worth your time.
3D映像の迫力は圧巻で、特にシカゴを舞台にした終盤の市街戦はスクリーンに釘付け必至！サム三部作の締めくくりとして、ここまでのスケール感で畳み掛けてくる展開はさすがベイ監督です。果たしてサムの旅の結末はどうなるのか、見届けてほしい作品です。
前作を余裕で超えてくるド派手な映像美はさすがマイケル・ベイ。でも今作、アクション以外のところでも”やりたい放題”が全開で、ミーガン・フォックスへの露骨なカメラワークや下ネタギャグが怒濤のように押し寄せてきます。好きか嫌いかで評価が真っ二つに割れる、ある意味で純度100%のベイ映画です。
日本発の人気玩具がハリウッドで完全覚醒！マイケル・ベイ監督が、車がロボットに変形するあのギミックを超絶CGで完全再現。スピルバーグがバックについた製作陣の本気度も半端ない。平凡な高校生が巻き込まれる世界規模の戦いは、ド派手なアクションと遊び心ある演出で畳みかけてきます。
